The discipline of Middle Eastern studies in the West has often been resistant to incorporating new theoretical and conceptual paradigms. Arab Comic Strips provides at least one indicator that this trend has begun to change. The study reflects the influence of both political economy and post-modernism. The former's influence can be seen in the authors' focus on mass culture and "history from below," while the latter's manifests itself in the authors' use of semiotics and their eschewal of any linear model of social change or totalizing discourse. The strengths of Arab Comic Strips lie in its comprehensive treatment of the genre it scrutinizes. The authors present extensively detailed studies of comic strips that range from Iraq and the Gulf to North Africa and France. Further, the strips they select cover a wide thematic and ideological terrain. Pan-Arabist, Islamist, hybrid Western-Arab, and radical leftist strips all receive in-depth analysis. Through this analysis, the reader gains great insight into political and cultural debates specific to particular regions of the Arab world. The juxtaposition of strips representing different thematic, ideological, and geographical perspectives constitutes comparative analysis at its best. -- From http://www.jstor.org (Dec. 4, 2013).

Introduction /The World of Arab Comic Strips -- Mickey in Cairo, Ramsis in Paris -- Nasser, or the Hero in Strips -- Machismo and Arabism: Saddam Husayn as Lone Hero -- Radicalism in Strips: Ahmad Hijazi -- Sacred Images: Islamic Comic Strips -- Syria: The Party-State and its Strips -- Tradition Viewed from the Maghrib: Tunisia -- Arabian Success Story: Majid -- Bilingual Politics: The Algerian Strip -- Images in Exile: Beur Comic Strips -- Regional Highways, Regional Signs.